Samyang 12mm f/2.8 ED AS NCS Fish-eye Verdict At face value, this 12mm fisheye lens from Samyang would be good value if it was only half-decent, due to … Why is Samyang Premium MF 14mm F2.4 better than 7artisans 12mm f/2.8? Back then, I was mainly shooting a Fujifilm X100S and wide/tele converters. I've purchased my sample used for the price of new 7artisans 12mm F2.8. Recently I want to buy a new wide angle lens for my Sony A6000, I don't know which one will be better, Sigma 19mm F2.8 Art with auto/manual focus or Samyang 12mm F2 NCS with only manual focus, can someone give me some opinion. Which Lenses to maximise the potential of the Sony A7RIV? What’s the best camera costing over $2500? The Rokinon 12mm f/2 NCS CS is a fairly inexpensive ultra-wide-angle lens for crop-sensor cameras, such as Fujifilm X. Is it any good? you will need to close down to F8 min for landscape. Click through to see how the a1's newly-developed sensor performs. Read our detailed comparison of the Samyang 12mm f2.0 NCS CS vs 7artisans 12mm F2.8 to find out their strengths and weaknesses, and decide which one to choose. Pour le paysage il faudra impérativement fermer vers F8, On peut aussi jouer avec les défauts optiques comme le flare et le vignettage pour avoir un look vintage / effets instagram, Perso je prendrai sans hésiter le Samyang 12mm F2 NCS CS plutôt que le Meike , il est certes un peu plus cher (260-400 euros) mais ses performances sont bien meilleures , les effets de flous d’arrière plans sont meilleur (F2 vs F2.8),  le profil Lightroom disponible facilite grandement le post traitement et pas besoin de correction du vignettage systématique comme sur le Meike. It is obviously faster and comes from a somewhat more established brand. Is that wide enough for you? I owned the Rokinon 12mm f2.0 and now have the Fuji 14mm f2.8. Why are Fuji jpgs worse than third party conversion software? Click through to see our picks. Zeiss Touit 12mm F2.8 : 1000 euros with AF , but similar sharpness performance; Meike 12mm F2.8: 200 euros, also a manual lens, a little bit less good performances; 5 Conclusion. This item Meike 12mm F2.8 Ultra Wide Angle Manual Focus Lens for Sony E Mount APS-C Mirrorless Cameras NEX 3 5T NEX 6 7 A6400 A6600 A6000 A6100 A6300 A6500,etc Meike 35mm F1.7 Large Aperture Manual Focus Prime Fixed Lens APS-C for Sony E-Mount Mirrorless Cameras NEX 3 3N 5 NEX 5T NEX 5R NEX 6 7 A6600 A6400 A5000 A5100 A6000 A6100 A6300 A6500 A3000 Read our detailed comparison of the Samyang 12mm f2.0 NCS CS vs Olympus M.Zuiko Digital ED 12mm f2 to find out their strengths and weaknesses, and decide which one to choose. The Samyang 12mm f/2.0 NCS CS (also branded as Rokinon), as it’s officially called, was released around May or June of 2014. L’optique se comporte bien mieux avec des paysages quand le sujet est éloigné. Very good sharpness in the centre wide open; Small , not too heavy (360gr but still 30% than the Samyang 12mm F2) Cheap : 160-200 euros; Pleasant blurry background at F2.8 and minimum focusing distance and good color renditiom; Low CA F2.8 manually corrected/ corrigé manuellement, The bokeh, background blur and color rendition is quite good , these are the strong points of this lens, Le bokeh , le flou d’arrière plan et le rendu des couleurs sont bons. It mostly matches–physically and optically–its 25mm and 16mm siblings. Welches Objektiv ist besser? Performances are much better outside for landscape with more distant subject. The Meike 12mm T2.2 Cine Lens is another solid entry from the little known Chinese manufacturer, Meike*. For closer subject at F2.8 the Sony Zoom magnification will help you to have precise focus, The lens hood  is quite big but protects well the lens against parasite light, It is worth to note the lens is accepting filter of 72mm which is rare on such a wide angle, C’est une optique entièrement manuelle avec contrôle de l’ouverture par bague sur l’objectif et bague de mise au point manuelle. High resolution, weather-sealed bodies and wide dynamic range are all important. I have the XF 16mm and compared to that, my own Samyang 12mm offers quite mushy outer-1/3rds no matter the f-stop. Coming back to 7Artisans, we had a look at their lineup and thought that the 7Artisans 12mm f/2.8, an ultra-wide lens, may be an interesting candidate for a first look. What's the best camera for shooting landscapes? Rokinon 12mm F2 SC is about 1/2 times more expensive, however it's massively available on the used lens market. It's WAY wider then even the 12mm. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best. Elle souffre également d’une courbure de champ marqué (centre net et bords hors champ mise au point) ce qui cause des soucis pour les sujets plans à courte distance. This is a classic … First launched in early 2004 under the name Optics Pro, DxO rebranded its raw processor as PhotoLab back in 2017. I first had the pleasure of trying this lens at an event in May hosted by Bech Foto, Fujifilm Nordic and Focus Nordic. We're working hard to finish our full review of the new Sony a1, and we've just added our studio image quality analysis. Is it for you? Any shortcomings are minor, especially when considering the price point. Is it worth buying? Any serious reviews of Meike 12mm f2.8 and Samyang 12mm f2.0? Well, for the start its far more budget friendly. Meike New Lens 8mm f/3.5 Fish Eye Lens on Sony a6300&Nikon D500 Street Shooting - Duration: 8:56. Can this new Meike 12mm f/2.8 E-mount compete with the Zeiss Touit 12mm f/2.8 or Rokinon (Samyang) 12mm f/2.0 NCS CS? Pros. **Note that the Rokinon 12mm f/2.0 can also be found listed as the Samyang … Meike Digital 27,677 views All content, design, and layout are Copyright © 1998 - 2021 Digital Photography Review All Rights Reserved. In terms of (outer) construction quality, the 7Artisans lens is actually pretty good - it's a tightly assembled, full-metal construction. All photos , taken with Sony A6000 and without post processing are available in full size (24Mpix) in the following Flickr album : Centre : very good F2.8-F3.5, excellent at F5.6-F8, very good at F16, Borders : soft at F2.8, average at f3.5, good at F5.6, very good at F8, good at F16, Lens fall off : very present at F2.8 and never completely disappear, Chromatic aberrations are low but present, Distorsion are visible and will require correction for architectural subjects, Very good sharpness in the centre  wide open, Small , not too heavy (360gr but still 30% than the, Pleasant  blurry background at F2.8 and minimum focusing distance and good color renditiom, Low distorsion only requiring correction for some architecture subjects, 72mm filter are possible (rare on Wide angle), Important light fall off that will require manual corrections, Field curvature which means that plane subject are never in focus overall at close distance, Manual lens (but with wide angle and their big depth of field , focusing is not an  issue), Zeiss Touit 12mm F2.8 : 1000 euros with AF , with overall better performance. It's manual focus and costs about $150. I received my copy of the lens two weeks ago, packaged well for shipment in a hard card box shell. I really love my Fujinon 16mm F1.4 lens and it is a perfect wide angle lens for music photography. Le pare soleil est assez imposant . Toutes leurs optiques on été testées sur ce blog, This is a fully manual lenses with aperture control on the lens (with click) and manual focusing ring, No Exif are transmitted to the body, Precise manual focusing is not very important with such lens and such a big depth of field. Visual comparison courtesy of camerasize.com. A plane subject will be difficult for this lens, Les tests on été effectué sur un A6000, avec ses 24Mpix. Compared to all the others 12mm it is the best balanced among all the budget 12mm (7Artisans / Meike) <200 euros. Samyang 12mm f/2.0 NCS CS Performance. Sony PZ E 18-105mm F4 G OSS on a full frame, Lensbaby Composer Pro II with Sweet Optics, Petzval 80.5mm F1.9 Mark II, Bokeh Control, APO-Makro-Plasmat 105 f2.7 by Meyer Optik, Primoplan 58mm F1.9 by Meyer Optik Görlitz, Samyang 35mm F2.8 AF (vs Sony Zeiss 35mm F2.8), Laowa 105mm F2 T3.2 STF (Smooth Trans-Focus), Which Lenses are best for A6xxx – Part 1 : Introduction & Summary, Sigma 16mm F1.4 DC DN Contemporary (APS-C), Sony Wireless Triggers FA-WRC1M & FA-WRR1, Hähnel NP-FZ100 chargers for A7III,A7RIII, A9, Haida Rear ND Filters for Sony 12-24 F2.8 GM, Kase Clip-in filters for Sony Full frame cameras, Kase K150P filter holder kit for Sony 12-24 F2.8 GM, NiSi S5 filter holder for Sony 12-24mm F4 G, NiSi S6 filter holder for Sony 12-24 F2.8 GM, SmallRig : L-shape wooden grip for Sony RX100, SmallRig : 6 solutions for mounting your external screen, iShoot Arca Swiss Tripod lens collar foot, Leofoto LS-324C Ranger tripod with LH-40 Ball Head, Leofoto LX-254CT Urban tripod with XB-32 Ball Head, Leofoto LS-223C small tripod + LH25 ballhead, Leofoto MP-285C Monopod + base VD-02 + head VH-20, Leofoto base & clamps : LB-68 / LR-50 / RH-1L / DC-38Q / SC-50, Leofoto UC-01 – Umbrella clamp for tripod, APS-C Lenses for Sony E / Objectifs APS-C pour Sony E – Sony Alpha Blog, Pergear 12mm F2 for Sony E mount test/review on Sony Alpha Blog, Which Lenses are the sharpest for a A6xxx for Sony E mount test/review on Sony Alpha Blog, Distance de mise au point minimale : 10cm, Centre : très bon à F2.8-F3.5, excellent de F5.6-F8, très bon à F16, Coins : mou à F2.8, moyen à F3.5, bon à F5.6 , très bon à F8, bon à F16, Le vignettage : très présent à F2.8 il ne disparait jamais complètement, Les aberrations chromatiques sont faibles mais visibles dans certaines conditions, Distorsion : elle visible sur les sujets architecturaux et nécessitera de petites corrections, Le flare est présent et est un des défauts de cet objectif, Très bon piqué au centre  à pleine ouverture, Compact et relativement léger (360g mais le Samyang 12mm en fait 280gr), Flou d’arrière plan plaisant à F2.8 et bon rendu des couleurs, Distorsion faible uniquement dérangeante pour les sujets architecturaux, Filtre de 72 mm possible (rare sur un grand angle), Vignettage important qui nécessitera une correction manuelle, Piqué problématique dans les coins. You will also find the the Samyang/Rokinon 12mm f2.0 is a favorite among Astrophotographers. Samyang 12mm F2 NCS CS (300-400 euros) is doing a bit better in term of sharpness but with a less good bokeh and more